It Came From Beneath the Sea Again
Information technology Came from Beneath the Sea | |
---|---|
Directed past | Robert Gordon |
Written by | Hal Smith George Worthing Yates |
Produced by | Charles H. Schneer |
Starring | Kenneth Tobey Faith Domergue Donald Curtis |
Narrated by | William Woodson |
Cinematography | Henry Freulich |
Edited by | Jerome Thoms |
Color procedure | Black and white |
Product | Clover Productions |
Distributed by | Columbia Pictures |
Release date | July 1955 (U.Southward. release) |
Running time | 79 minutes |
Country | United States |
Linguistic communication | English |
Budget | $150,000[i] |
Box office | $1.7 million (US)[ii] |
It Came from Beneath the Ocean is a 1955 American scientific discipline fiction monster motion picture from Columbia Pictures, produced by Sam Katzman and Charles Schneer, directed past Robert Gordon, that stars Kenneth Tobey, Organized religion Domergue, and Donald Curtis.
The script past George Worthing Yates was designed to showcase the stop motion blitheness special effects of Ray Harryhausen. In the motion picture, a monstrous giant octopus rampages in the Northward American Pacific Coast when it is awakened by nuclear testing.
It Came from Beneath the Ocean was released as the tiptop half of a double feature with Creature with the Atom Brain.[3]
Plot [edit]
A nuclear submarine on maneuvers in the Pacific Body of water, captained by Commander Pete Mathews (Kenneth Tobey), comes into contact with a massive sonar return. The commander attempts to outrun and outmaneuver the sonar object, but cannot. The gunkhole is disabled but manages to free itself and render to Pearl Harbor. Tissue from a huge sea brute is discovered jammed in the submarine's dive planes.
A team of marine biologists, Professor Lesley Joyce (Faith Domergue) and John Carter (Donald Curtis) of Harvard Academy, is called in; they identify the tissue equally existence a pocket-sized role of a gigantic octopus. The military authorities scoff, merely are finally persuaded subsequently receiving reports of missing swimmers and ships at sea being pulled under by a large sea creature. Both scientists conclude that the beast is from the Mindanao Deep, having been forced from its natural habitat past hydrogen bomb testing in the area, which has made the giant octopus radioactive, driving off its natural food supply.[4]
The scientists suggest the disappearances of a Japanese angling armada and a Siberian seal gunkhole may exist the work of the foraging giant. Both Mathews and the Navy representatives express doubtfulness and demand farther proof. Later, as Mathews assists Joyce and Carter, a study comes in of an attack on a Canadian freighter; several men escaped in a raft. The survivors are questioned by psychiatrists, and when the first sailor's description of a animal with giant tentacles is met with skepticism, the other sailors reject to testify. Joyce is able to convince the first crewman to repeat his story for government officials, who and so have the evidence they demand. The U.Southward. regime halts all sea traffic in the North Pacific without revealing the reason. Carter flies out to ocean to trace a missing ship, while Mathews and Joyce follow upwards on a report of five missing people off the coast of Oregon.
The local sheriff, Bill Nash (Harry Lauter), takes Mathews and Joyce to the site of the assail, where they observe a giant suction loving cup banner in the beach sand. (At this bespeak, the two accept become physically intimate.) They then request that Carter join them. Nash is later attacked forth the beach by the giant octopus, correct in front of the two scientists. They escape, and together they hastily adjust for all Pacific declension waters to be mined earlier departing for San Francisco and the Navy's headquarters.
An electrified safety internet is strung underwater across the entrance to San Francisco Bay to protect the Golden Gate Span, which has as well been electrified. Carter takes a helicopter along the shoreline and baits the sea with dead sharks in an endeavor to lure the creature inland. Joyce demonstrates to reporters a special jet-propelled diminutive torpedo, which they hope to fire at the giant octopus, while driving it back to the open sea before detonating the weapon. Afterwards that day, the brute demolishes the underwater net, irritated by the electrical voltage, and heads toward San Francisco.
The navy orders the Golden Gate Bridge abandoned, only when Carter learns that the electrical circuit there has been left on, he races to the span to shut it off. The giant fauna, withal, catches sight of the bridge and attacks it, the electric voltage irritating it fifty-fifty more. Mathews is able to rescue Carter only earlier a bridge section is brought down by a behemothic tentacle.
The residents of San Francisco panic and begin a mass exodus downwards the peninsula. The navy struggles to evacuate the Embarcadero and the Ferry Building, which is dilapidated by the creature's behemothic tentacles. When more people are attacked and killed, the Defense Department authorizes Mathews to take out the submarine and burn down the torpedo; Carter joins Mathews while Joyce remains at the base of operations.
Flamethrowers push the giant tentacles back into the sea, simply when Mathews fires the jet torpedo into the giant creature, it grabs the submarine. Using an aqualung, Mathews swims upward to the massive trunk and places explosive charges before existence knocked out by the shockwaves from the premature explosion. Carter and so swims out and shoots at one of its eyes, forcing the behemothic octopus to release the submarine; he and so pulls Mathews to rubber. Back at the base, as the creature turns toward the open ocean, the torpedo is detonated, completely destroying the behemothic cephalopod. The trio later celebrate the victory at a eatery, where Mathews makes an impromptu proposal, and Joyce accepts.[five]
Cast [edit]
- Kenneth Tobey equally Commander Pete Mathews
- Faith Domergue as Professor Lesley Joyce
- Donald Curtis every bit Dr. John Carter
- Ian Keith as Admiral Burns
- Dean Maddox Jr. as Admiral Norman
- Chuck Griffiths every bit Lieutenant Griff
- Harry Lauter every bit Deputy Bill Nash
- Richard W. Peterson as Capt. Stacy
Production [edit]
Development [edit]
The moving picture was made by producer Charles Schneer under the supervision of Sam Katzman who had a B picture unit at Columbia. Schneer said the idea for the film was inspired by the first explosion of the hydrogen bomb in the Marshall islands, saying he felt if some animate being came out of the deep "and then destroyed the Golden Gate Bridge, that would exist a hell of a picture."[6]
The title was inspired by Universal'southward science fiction hit It Came from Outer Infinite. Schneer had been impressed past the effects for The Creature from xx,000 Fathoms and hired Ray Harryhausen. "I don't think I would have made that type of picture if I hadn't been able to get Ray to practise the FX," Schneer said later on.[7]
Shooting [edit]
Much of the filming was washed at the San Francisco Naval Shipyard, including scenes aboard a submarine, and several naval personnel were given supporting roles.[8]
To keep shooting costs low, director Robert Gordon shot inside an actual submarine, both above and under water, using handheld cameras. For a scene that takes place on a stretch of Pacific coastline, Gordon and his coiffure dumped several truckloads of sand onto a sound phase at Columbia, which they backed with a rear projection screen. During their scene together, Kenneth Tobey found himself sinking through the sand to the indicate of appearing shorter than Faith Domergue on photographic camera, forcing him to dig himself out of the hole between every have. A more than all-encompassing beloved scene had been written for the characters but was literally torn out of the shooting script by Sam Katzman, to continue principal photography from going over schedule.[8]
The octopus stop-motion effects were designed and blithe past Ray Harryhausen. The effects budget, however, was getting slightly out of hand, and for this reason, Sam Katzman allowed Harryhausen but enough money for animating six of the octopus' eight tentacles; two were eliminated on the last shooting miniature. Harryhausen jokingly named his giant octopus "the sixtopus" (this behind-the-scenes detail was revealed years subsequently in a science fiction magazine). For the scenes where a single tentacle is seen moving up and effectually the bridge superstructure, Harryhausen used a unmarried big model tentacle instead of employing the complete blitheness model. Some of the bridge scenes employ a shooting miniature of a bridge support, which was so composited in mail service-product over alive footage of the real support; this is the bridge section that the "sixtopus" is seen clinging to in the final scene.[9]
Schneer was refused permission to shoot on the actual Golden Gate Span, so he put the photographic camera on the back of a bakery truck and collection information technology back and forth over the span several times to get footage.[10]
Reception [edit]
Information technology Came from Beneath the Sea was teamed on a theatrical release double nib with Columbia's Creature with the Atom Encephalon.[3]
Its success led to Harryhausen-Schneer collaborating over again for Earth vs. the Flying Saucers the following year.[11] [12]
Disquisitional [edit]
Fourth dimension Out chosen it a "pocket-sized entry in the '50s cycle of radiation-paranoia sci-fi pics";[13] and Moria noted, "Most of the motion picture is told in a stolid, flat style that seems more like an Army training documentary than a dramatic film. The problem is that one has to plod through three-quarters of the picture to get to the monster sequences...Certainly, when the climactic scenes of wholesale devastation exercise arrive they are great";[14] whereas Allmovie wrote that the flick "utilized elements of the documentary, with a narration that makes the first half of the picture show seem almost like a newsreel, which gives the activeness a greater immediacy. And...This is all presented in a cool, clipped realistic style, with a strong but convincingly stated macho tone...It all served to make the first quarter hr of the flick nearly irresistibly suspenseful, and gave Harryhausen one of the best lead-ins that ane could ask for, for his effects";[15] Leonard Maltin also praised the picture'south "Scenic special effects";[16] and the Radio Times, whilst acknowledging it equally a "classic monster flick", also chosen the movie "Predictable tosh, but expert 1950s fun".[17]
Legacy [edit]
The four-issue comic book mini-series It Came from Beneath the Sea... Again (2007), released by TidalWave Productions as part of their Ray Harryhausen Signature Series, continued the story. A preview of the first issue was included on the 50th Anniversary DVD release of the moving picture.[18]
A clip from the motion-picture show was used in the 2nd episode of the TV series Voyage to the Bottom of the Sea, which also features a behemothic human-eating octopus.[ citation needed ]
The animated serial TaleSpin has an episode that parodies both the proper name and plot of the moving-picture show.[ citation needed ]
In The Mitchells vs. the Machines (2021), a poster for It Came from Below the Sea tin can be seen in Katie Mitchell's bedchamber.[nineteen]
Run into also [edit]
- List of American films of 1955
- Listing of cease-motion films
- USS Cubera (SS-347)
- List of killer octopus films
References [edit]
- ^ "Archived copy". Archived from the original on May 22, 2009. Retrieved April eighteen, 2009.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ 'The Tiptop Box-Office Hits of 1955', Variety Weekly, Jan 25, 1956
- ^ a b "The Elevation 21 Virtually Kick-Ass Behemothic Monsters in Picture History!". bloody-disgusting.com. March 23, 2010.
- ^ Hal Erickson (2009). "It-Came-From-Below-the-Sea - Trailer - Cast - Showtimes - NYTimes.com". Movies & Telly Dept. The New York Times. Archived from the original on March 19, 2009. Retrieved May 10, 2013.
- ^ "It Came from Beneath the Sea (1955) - Overview". Turner Classic Movies. Retrieved May 10, 2013.
- ^ Swires p 59
- ^ Swires p 59
- ^ a b Warren, Bill. Go on Watching the Skies Vol. I: 1950–1957, McFarland, 1982. ISBN 0-89950-032-3.
- ^ Dalton, Tony. Ray Harryhausen: An Animated Life. London: Aurum, 2003, p. 73.
- ^ Swires p 60
- ^ "It Came from Beneath the Body of water (1955) - Articles - TCM.com". Turner Classic Movies.
- ^ Swires p 60
- ^ "It Came from Beneath the Sea".
- ^ "It Came from Beneath the Sea (1955). Giant Atomic Octopus/Ray Harryhausen Film. Stars: Kenneth Tobey, Organized religion Domergue. Director - Robert Gordon. Moria - The Science-Fiction, Horror and Fantasy Picture Review". moria.co.nz. May 9, 1999.
- ^ "Information technology Came from Beneath the Sea (1955) - Robert Gordon - Review - AllMovie". AllMovie.
- ^ "It Came from Beneath the Sea (1955) - Overview - TCM.com". Turner Archetype Movies.
- ^ "It Came from beneath the Sea – review - bandage and crew, movie star rating and where to lookout motion-picture show on Television and online". Radio Times.
- ^ "Ray Harryhausen'southward Collection". IGN. September 24, 2007. Retrieved September 24, 2017.
- ^ Grebey, James (May 4, 2021). "Every Pop-Culture Easter Egg in The Mitchells vs. the Machines". Vulture. Vox Media. Retrieved August eight, 2021.
Bibliography [edit]
- Warren, Pecker (2009) [1982]. Proceed Watching the Skies: American Science Fiction Films of the Fifties (21st Century ed.). Jefferson, NC: McFarland & Company. ISBN978-0-89950-032-iv. OCLC 564711346.
- Swires, Steve (January 1990). "Mentor to the Magicks Part One". Starlog. No. 150. p. 57-72.
External links [edit]
- 1996 soundtrack rerecording
- It Came from Beneath the Bounding main at IMDb
- It Came from Beneath the Sea at AllMovie
- San Francisco in Movie house: It Came from Beneath the Ocean
- It Came from Beneath the Sea at the TCM Motion picture Database
- Information technology Came From Below the Sea Sourcebook at The Thunder Kid
- It Came from Below the Sea at the American Moving picture Plant Catalog
mcbridetrailtandes.blogspot.com
Source: https://en.wikipedia.org/wiki/It_Came_from_Beneath_the_Sea
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